One Synth Challenge: A Full Trance Track using only Prophet Rev2 and MPC One.

video upload by Just Hardware Sound

"I challenged myself to create a full trance track using only one synth. Every sound you hear was created on the Sequential Prophet Rev2, except for the 909 drums. Some sounds are live from the Rev2, while other sounds are multisamples of the Rev2, sampled on the MPC One.

I'm currently working on a soundset for the Prophet Rev2, which will later be released at: justhardwaresound.com"

Myth - an overview of Dawesome's Flagship Synth

video upload by Waveform

00:00 Intro & Description
01:48 User Guide & Tutorials
02:13 The Iris
02:59 Transformers
04:00 Modulation
04:22 Signal Flow
04:40 OSC Modules
05:40 Filter Modules
06:34 Resonator
08:01 BTTFM
09:12 FX Modules
10:07 Glurp!
10:20 ARP +
10:45 Summing Up

https://www.tracktion.com/products/myth

DAWESOME MUSIC videos in order published: video uploads by DAWESOME MUSIC

Playlist:
MYTH
MYTH - demo track
MYTH - BRACE YOURSELF FOR A SHOCK
Mare Tranquillitatis - track made with MYTH
MYTH - Preset Demo

A Living Beast

MYTH was built to create the joy and inspiration we feel when playing with hardware. Instead of “programming” sounds you create sounds by exploration and tweaking. The sound is rich and organic, and the entire system acts like one organism.

Re-synthesis

In classical synthesis, oscillator waves are mostly static and you add filters and modulators to "program" all the variations to make the sound organic and interesting. MYTH offers a paradigm shift: drag and drop audio and it will be re-synthesised as an IRIS. The inherent variations and richness of the sample can now be exploited with the TRANSFORMER dials. Of course - you can also add classical LFOs, envelopes or filters as much as you want. Just...you will rarely feel the need!

Look Mum, no Cables

Modular systems are so powerful, but also complex and easily confusing. MYTH has modules, but no cables: like in a pedal board the modules are simply chained from left to right. Insanely powerful and unbeatably simple!

Weird and Wonderful

You can use MYTH as a virtual analog subtractive synth, create shimmering metallics, add colourful acoustic resonances, create glittering grain clouds ... or do all at the same time. From fragrant pads to striking kicks - MYTH can do any sound with ease. And if you prefer to ride a wild horse: there are things like ORBIT, GLURP or ATARI PUNK - weird and wonderful new stuff.

The Fastest Workflow in the West

Let's be honest: sound design can be tedious, and we all love tweaking presets! MYTH goes one step further with a randomisation system on steroids: for example you can freeze sections to keep them unchanged. Or you "breed" new presets from a selection of parent presets. Or you take a sample and then browse through presets to put them over your sample like a dress. It's incredibly easy, fast and fun!

Full Specs

Advanced organic re-synthesis based on machine learning.
More than 700+ presets created by more than 10 sound designers and artists.
Intuitive modular system.
Trainable resonators (by dropping a sample).
Virtual analog filters.
Creative midi effects.
Full MPE support.
Build-in tutorial system.
Powerful and innovative randomisation system.
Intuitive modulation system.
Supports MTS-ESP for microtonality.

New X1L3 - DRAIL - hacked fx processor - eurorack module

video upload by X1L3

"Hardware hacked fx processor module.
What it is and where to get it - below.......

Available at: https://x1l3.bigcartel.com/product/dr...

A few sections of this vid contain strobing and flashing images. If susceptible to seizures then viewer discretion is advised.

Amiga/P3 W95 demoscene spec run down and demo. Created due to a request to demo the module in a way that wasn't 'just noise'. Initially intended to be one part made from the best track out of three that i came up with. Later deciding to shoe horn the two reject demo tunes into it, which lead to it becoming a ramshackle lesson in polygons and 3d. It also caused the whole thing to end up panning out like some kind of messed up fever dream 💀🤣

Drail is an fx processor module based on a fixed chip set containing 100 preset effects. Reverbs, delays, pitch shifters and modulators of various types, such as flangers and phasers. More details are over on the bigcartel link. Hacked referring to the hardware hacking principles applied in reclocking the cpu and messing with the phase in the signal path to turn it into the somewhat weird thing it is now. Hacked also sounds better than circuit bent, which has been done to death as a term and wouldn't fit on the front panel anyway 💀🐗

A bit of a departure from my usual powerelectronix/sound design outings when it comes to modules. Right now this is the only demo i have complete. I'll upload some stuff soon that's more in line with the roots of where i came from, and which features some other new stuff that got completed in the somewhat hell froze over time it took me to complete this outing 🔥🔥

As always - enjoy - or don't.
The sun rises in the morning either way 😘☀️👌

Cheers for checking it out."



"The module is based on a fixed stereo fx processor chip which contains 100 presets. These presets consist of numerous reverbs, delays, harmonizer/pitch shifters and modulators such as flangers and phasers.

It has a mono input, a summed L/R mix output with dry wet control which covers 0-100% wet,
Two 100% wet stereo outputs give access to the ping pong delays and different phases of panning in the stereo field that some of the effects use,
The combination of summed dry wet and separate stereo fx ouputs offers some variation in how you might hook the module up to achieve different results in a setup.

Patches can be selected manually, or by gate inputs with an input to cycle each way through the patches and an input to select them.

In stock form it's a fairly vanilla and quite unremarkable, all be it useful set of fx. By applying some of the tricks learned in my time in the circuit bending arena the whole thing becomes a Swiss army knife of weirdness and opens up to some bizarre effects and unruly behavior. With the principles of hardware hacking applied and the cpu reclocked, along with some creative phase altering in the signal path, the processor takes on an entirely new life. Still being able to run as a useful set of stock reverbs, delays or modulators, but doubling up as an interesting sound design tool. All sorts of mad sounds and unexpectedly good processing can be achieved. Great for soundscapes, turning basic sounds into things that are bigger than the sum of their parts, making guitars sounds insane, it can even be used to turn a saw into a pseudo supersaw that somehow looks like a kind of mutated pwm square by using the modulator fx. This kind of thing gets fat when you start using both the dry wet mix output and the 100% wet L/R outs. With 100 fx to choose from, there's generally something interesting and at times fascinating to be found when messing around with it.

From experience, different fx chip sets behave in radically different ways when attempts to circuit bend or reclock them are made. Some prove to be pointless and uninteresting, others become prone to crashes and are rendered too unpredictable.and useless beyond extreme noise This one happens to be an excellent target for a bit of creative alteration. When underclocking the cpu, a kind of subtle low pass filtering effect is applied. Not enough to make the effect undesirable, but enough to eliminate the unwanted noise inherent to underclocking. In testing this chip set and discovering it's predictable, but quite abstract nature when abused, it became obvious that it would make a brilliant target for an interesting module. One which i'm finding to be an excellent addition to my own rigs. Given the roots of how it came about and how that ended up sounding, it is i imagine an acquired taste, but a quite unique acquired taste in the scheme of things."

Electro at Midnight: An Electro Track, Using Rm1x ROM Sounds and Prophet Rev2 Pads.

video upload by Just Hardware Sound

Tone Science No.9 'Theories and Conjectures' - Various Modular Synth Artists Available Now

video upload by DreamsOfWires

"I have a track (a new version of 'Minimum') featured on the latest Tone Science compilation from Ian Boddy at DiN Records. Available as a digital download, and as a limited edition Digipak CD of 500 copies. Check it out here:

https://dinrecords.bandcamp.com/album...

'Minimum' was recorded entrirely within a Eurorack modular system - sounds, effects, mixing, WAV recording, as a real-time performance (no overdubs). All sound modules are AJH Synth. It uses 6 analog VCOs: The melody is a single VCO (lower frequency) supporting the self-resonating Ladder Filter (upper). The later pattern is 2 VCOs through the Ring SM sub-octave generator. The drone sound in the background is 3 VCOs, 2 through the Wave Swam, and all through the Triple Cross module, where they're cross-faded using 3 seperate LFOs.

From Ian Boddy:
Tone Science sub-label, from DiN records, continues to explore the world of modular synth music.

Following the success and critical acclaim of the first eight Tone Science compilation albums,
DiN label boss Ian Boddy has collated another nine tracks from musicians of varying backgrounds working in the realms of modular synthesis.

As the Tone Science journey continues it never ceases to amaze just how varied and individualistic each musicians work can be. Whilst the hardware is technologically based each artist teases out a reflection of their own musical personality.

This volume kicks off with two pointillistic compositions from Loula Yorke and State Azure with intertwining sequencer patterns flowing and coiling around to create ever changing soundscapes.

CLICK FOR MORE »

Running Fully Automatic: An Electro Track, using Rm1x Internal Sounds and Prophet Rev2.

video upload by Just Hardware Sound

"An electro track I created on my Rm1x, using the Prophet Rev2 for 1 pad, with the rest of the sounds coming from the Rm1x. The Rm1x is running fully automated in song mode."

Aureate 📀 (Sequential Take 5 // Elektron Digitone + Red Panda Particle + Strymon Deco 2) Chords Jam

video upload by 2-Minute Warning

"No sequencers were harmed during this recording! 😄 Just wanted to roam with some chords played live on the Take 5 analog synth. Further on I introduced the Digitone FM synth where I used 3 tracks (with 3 different sounds), where 2 of the tracks have their integrated ARPEGGIO enabled, with different settings in order to add some rhythmic complexity to the jam 🥁

The Digitone is being fed into the Particle 2 granular delay then the Deco pedal, in order to add random variations to the FM sounds and some kind of LO-FI vibes!

The MIDI Out of the Take 5 synth is triggering the Digitone. Hence both synths are playing the same notes. However the 2 ARPs on the Digitone help bring the syncopated sounds.

I think that the blending of the analog and digital synths here, makes the global sound and texture of this jam sound quite interesting! Hope you liked it too? 😊

* Hardware used *

// PADS:
- Sequential Take 5 (5-voice analog synth)

// CHIMES:
- Elektron Digitone (8-voice FM groovebox) + Red Panda Particle 2 (granular delay and pitch shifter) + Strymon Deco 2 (tape saturation & doubletracker)"

Aodyo Instruments Introduces Loom - Multidimensional MPE MIDI Controller

video uploads by Aodyo Instruments

"We're threading a new path in the world of music creation, where every touch lets you weave your own sonic tapestry. It's about crafting music with a more personal touch, where every note is a thread in your unique musical fabric. Something exciting is looming. Get ready to unravel a new way to experience sound.

https://loom.aodyo.com/kickstarter"



Have you ever dreamed of a MIDI controller that could turn your touch into music just like a real instrument? Meet Loom.

Loom is a multidimensional MPE MIDI Controller designed for immediate playability and expressiveness.
MPE synthesizers and virtual instruments offer you rich sounds that respond to the slightest variation, but there are few controllers fit to the task.

At Aodyo Instruments, we have drawn on our previous experience with the Sylphyo and the Anyma synthesizers to offer musicians a versatile and powerful device.

Whether you play live, record in the studio or compose music in your bedroom, Loom will become a flexible and original addition to your setup.

FEATURES
Don't be fooled by its simple appearance: Loom's magic lies in the synergy between its surfaces and sensors, offering you different playing modes that will allow you to play almost any kind of virtual instrument or synthesizer.

PLAYING MODES
Unravel evolving chords, weave intricate melodies, craft expressive rhythms. Any way you choose to approach it, Loom is designed as an extension of your hands.

Loom can function as a MIDI Keyboard, offering access to a two or three-octave range. You can play notes, bend them, nuance your attack, and add expression by sliding along the keys.

But if you want to break free from the keys, Loom can also work as a MIDI Ribbon, allowing for smooth sliding across its surface. Optionally, it can make sure you land on the right note, making it easier to play with others without losing the free-form nature of the ribbon.

If you want to play chords like a guitar, Loom offers a MIDI Strum mode, where you can choose a chord with one hand and strum virtual strings with the other. Or you can play it like a harp, directly sliding your fingers across the chord.

For rhythmic parts, Loom also got you covered. Its MIDI Drumkit mode has been carefully designed to provide you with a unique and efficient layout for finger-drumming. It can sense the way your finger hits the surface, as well as the position of your hit: flick more or less quickly to open the hi-hat, move your finger along the ride cymbal's edge or bell, and obtain subtle variations on your snare sound. It works great with acoustic and synthetic drum sounds.

For rhythmic parts, Loom also got you covered. Its MIDI Drumkit mode has been carefully designed to provide you with a unique and efficient layout for finger-drumming. It can sense the way your finger hits the surface, as well as the position of your hit: flick more or less quickly to open the hi-hat, move your finger along the ride cymbal's edge or bell, and obtain subtle variations on your snare sound. It works great with acoustic and synthetic drum sounds.

ACTION ZONE
To the left of the surface lies a pressure-sensitive squishy square area called the action zone. Press it to have nuanced control over dynamics or effects.
EDITOR
The companion editor allows you to customize every aspect of your Loom: change modes assign zones, map MIDI controls, set thresholds, and adjust response curves.

2 OR 3 OCTAVES
Craft melodies with two octaves. Weave symphonies with three octaves. Loom is designed for portability, while its extended version, Looom, offers a wider playing range.

BUILT FOR MPE AND LEGACY MIDI
MIDI MPE (MIDI Polyphonic Expression) is an extension of the MIDI (Musical Instrument Digital Interface) standard that enables more nuanced and expressive performance capabilities for electronic instruments.
Traditional MIDI communication allows for control changes to be applied globally across all notes of an instrument. In contrast, MPE assigns each note its own unique channel, allowing for individual control of pitch, volume, and timbre per note.

This innovation opens up a new realm of expressive possibilities, letting musicians bend, slide, and modulate notes independently, much like on acoustic instruments. By providing detailed control over each note's parameters, MPE enhances the expressiveness of electronic music performances.
Loom is designed from the ground up for MPE, but it also works very well with any non-MPE MIDI instruments, even monophonic ones!

DEVELOPER-FRIENDLY
You're not limited to the modes we've designed. If you know your way around code, you can also take over and create your own. You can send a specific MIDI message to enter developer mode, where every input will be sent as-is, and you'll be able to control the LEDs and display by sending MIDI SysEx messages to the Loom from your own program or script running on your computer. This way, you can entirely control what's happening on your Loom, design new playing modes that you can distribute to others, or use Loom as an experimentation platform.

CONNECTIVITY
Using a USB or MIDI cable, you can easily connect your Loom to all your hardware and software: VSTi, Audio Units, hardware, etc.
Here are a few demos that showcase examples of how Loom can be used and setup.

A Classic House Track, Using Only a Korg Triton Workstation.

video upload by Just Hardware Sound

"A Classic House track, created by me, using only a Korg Triton. I used a couple external samples, but the rest was regular Korg factory sounds.

justhardwaresound.com"

Can you guess the source of this sound/patch?

video upload by Espen Kraft

And the answer:

CLICK FOR MORE »

Audio Damage Introduces AD057 Axon 3

video upload by ObXession



via Audio Damage

"A drum sequencer that thinks outside the box, where each beat is a live wire, sparking and connecting to create a rhythm that's alive. That's Axon 3 for you - not just an update but a complete overhaul of our legendary Axon series. This isn't your ordinary drum machine; it's a sonic adventure, blending the familiar with the futuristic.

At the heart of Axon 3 lies a sequencer inspired by the complex workings of artificial neural networks. Picture neurons, buzzing with energy, passing triggers in a dance of precision and chaos. When a neuron hits its trigger threshold, it doesn't just respond; it sings, through its internal synth voice, sends a pulse out into the MIDI universe, or both. The connections between these neurons aren't random; they're the building blocks of a rhythm sequencer unlike any. And with a dash of probability magic, we've introduced a drum programming style that's utterly unique.

But that's not all. Each neuron in Axon 3 comes equipped with a powerhouse of a synth voice, drawing on the best of both subtractive and FM synthesis, supercharged with a model inspired by our Boomtschack analog hardware drum module.

Axon 3 wraps all this rhythmic innovation in a sleek interface complete with a full mixer, crystalline delay, punchy compressor, and multiple outputs. Whether you're crafting yout next IDM masterpiece, scoring a film, or just exploring new sonic territories, Axon 3 is your co-pilot in this thrilling journey into sound.

So, are you ready to break the rhythm barrier? Welcome to Axon 3.

CHANGES FROM VERSION 2
• Greatly expanded synthesizer voice, with a full model of our Boomtschack analog drum synthesizer hardware (RIP).

• Pitch and scale quantizing of the internal synthesizer voices, for easier melodic programming.

• Extensive randomizer for changing some or all parameters.

• Cymbal oscillator from Tattoo added to noise section.

• Rough Rider compressor added to master output.

• Likelihood of trigger event and ratcheting added to sequencer, to greatly expand the rhythmic potential.

FEATURES
• Artificial Neural Network sequencer features seven neurons, and is easily programmed to create strange new repeating rhythms.

• Seven FM/VA percussion voices that also buss together to create a single monolithic complex percussion synthesizer, via AM and FM busses.

• Full mixer with pan, level, mute, and solo on each voice.

• Built-in stereo delay, for live playability.

• Built-in Rough Rider compressor on the main outputs.

• MIDI in and out, for driving Axon's voices from DAW and hardware sequencers, or driving other software and hardware from Axon.

• Internal transport for non-synchronized playback.

• Resizable vector-based user interface.

• XML-based cross-platform, human-readable preset system, with copy/paste, for easy transferring of your own presets and third-party offerings."

TAL Software Introduces TAL-Pha Roland MKS 50 / Alpha Juno II Emulator & Software Editor

video upload by TAL Software

"All synthesizer sounds were created with TAL-Pha"

TAL Pha vs MKS 50 / Alpha Juno II

video upload by

"This video compares our hardware MKS 50 with the TAL-Pha audio plug-in, which emulates the sound of the hardware device.

The videos try to capture the essence of some sounds. You will not hear beautiful melodies, just some raw hardware factory presets. I'm also a bad piano player. Probably someone else can make a better video.

The tests are carried out with the factory presets of the hardware. Both synthesizers play at the same time. We alternate the output every few seconds. The sequencer shows the volume curves; the first channel is the software and the second is the hardware.

The first row of the spectrum analyzer shows the software synthesizer. The second row is the hardware. The oscilloscope on the top shows the master channel with the waveform of the final output.

The MKS 50 is an analog device. Things will never match exactly. LFOs and DCO phases are free-running and never match. Volume, resonance intensity, and hardware envelopes are slightly different for each voice.

The intro is done with the software emulation and it's internal FX.

Notes:
We improved some things like the envelope, the chorus, and also the bass boost after we made this video."



via TAL Software

TAL-Pha is an instrument plug-in that emulates the sound of the analog 80's synthesizer Alpha Juno II (MKS-50 is the rack version).

The plug-in produces the classic analog sound, combined with modern flexibility and many additional functions. The plug-in can read and convert sysex information from the hardware and can also be used as a controller.

Authentic emulation of the 80's hardware synthesizer.

Resonance boost for filter self-oscillation.

The possibility to detune, modulate, and sync the pulse part of the DCO.

Simple but powerful FX section with delay, reverb, and a bell-eq.

Arpeggiator with different modes.

Stereo UNISON mode with up to seven voices.

Aftertouch and MPE support.

Microtuning support (tun file import and MTS Client).

Original factory banks included.

More than 380 fresh presets by Electric Himalaya, The Unfinished, Saif Sameer, emptyvessel and TAL.

Individual tuning for every voice converts the synths DCO into a VCO.

Reads Sysex files and Sysex MIDI from the hardware device.

Can also control a hardware device. If enabled, it sends Sysex through the plug-in MIDI output (only possible when supported by the DAW).

New Groc Granular Hardware Synth from Oddment Audio

video uploads by oddment audio

Playlist: 1. Groc granular synth - modulating fun

Here we have simple note sustain while modulating grain bandwidth, overlap, placement (in stereo field), distortion drive and filter cutoff frequency. Oh, and our first reveal of the delay unit!

2. Violin and ambience with Groc granular synth

Here we are editing sample loop points, ADSR envelope and Groc's unique "time path" to create lush sustains from a short violin clip.

3. cool fall day + warm groc tones

walking on a cool fall day, accompanied by warm tones produced by groc granular synth

4. Groc - LED sequence with spatial sound

This video shows the first testing of the groc interface board, and includes the first audio demonstrations of spatial sound overlaid. Headphones recommended!

5. Groc Demo - Grain parameters

First demo of groc's grain parameters with a guitar loop as audio sample.

"Sculpt sound. Modulate everything. Do you groc?

Stunning, yes.

Slim, yes.

Powerhouse, also yes.
quad core 64-bit ARM processor
1GB RAM, 4GB of user storage
vivid DSI touch screen
cutting edge signal processing
fits in a bread box

Not like the others.

Groc demonstrates that a compact form can deliver unparalleled functionality. Access dozens of parameters in the custom granular synthesis engine with 4 grains encoders. Achieve one-of-a-kind manipulations of playback speed, shape multiple envelopes, edit audio sample crop and loop points, adjust 4 LFOs, 3 macros and morph between patches with just 8 more encoders. Add in an entire world of effects, accessed with just 4 more.
The large and vivid touch screen provides rich information and beautiful visualizations of your sounds, and enables deep functionality within just a touch or two. Is this where we mention the placard at Oddment HQ that reads, “Down with menu diving!”?

Patch without limits.

Every parameter on groc is a modulation destination, and connecting modulation sources is as easy as plugging in a patch cable (w/o the need to search in your closet).

To go with its myriad destinations, groc has a bounty of modulation sources: 4 LFOs, 4 envelopes, MIDI velocity, key tracking, polyphonic after touch and all the rest.
In the event you were hoping to use a physical patch cable, yes, you can use groc’s modulation sources to wiggle analog voltages via the 4 control outputs. Or configure them as inputs to control any of groc’s parameters with CV from your other gear, a sustain pedal or you name it.

Did you want to sequence a parameter, or draw a custom modulation curve on the touch screen? That seems reasonable and groc will support you. Do you want to connect a dozen or more modulation sources to the same parameter? That is far less reasonable, but that’s just, like, our opinion."

Learn more about Groc and Oddment Audio: www.oddmentaudio.com

GLITCH STORM 2025 // New Synthesis Modes // Hardware redesign //

video upload by SPHERICAL SOUND SOCIETY

"Jamming with the GS 2025. Direct audio, no FX added. I did it yesterday in just two takes and no edition apart of the cut. I hope you like it!

You can get one here:
https://www.tindie.com/stores/jc2046/"

IDUM RETURNS!

video upload by Mystic Circuits

"At long last IDUM is back! IDUM is our multi-effect processor for gates, allowing anything from a little variation to absolute insanity. Here is a little jam showing off using IDUM's new features - split mode and the improved looper.

We have a two IDUM system here with one controlling the VPME quad drum and a second controlling a set of SSF percussion modules as well as a voice made with the Schlappi Engineering Three Body and Boundary. We are also controlling our Tree/ Leaves combo module which is doing the main sequencing duties. The entire patch is mixed using our 3DVCA modules and our upcoming Ana v2 modules are acting as a macro controller, allowing us to change the whole patch with just four knobs. The main sequencer is the amazing Westlicht Performer.

In this jam I am focusing on showing how much variation you can get out of IDUM without changing the source sequence at all. This means that the same trigger sequence is driving IDUM the entire time and the note sequencer is not changed at all either, all of the variation you hear is either from manipulating IDUM or from changing some of the timbre settings of the drums.

If you would like to learn more about IDUM go to our website here:

https://www.mysticcircuits.com/produc..."

"‍IDUM is a gate processing effect that turns its input effortlessly into IDM. Making complex electronic music with the modular usually requires meticulous sequencing done in advance or a large ecosystem of modules. Unfortunately, the level of expertise needed to accomplish this is not accessible to the average modular user. IDUM aims to make this process easier and put Intelligent Dance Music, also known as IDM, into the hands of people with average intelligence. IDUM does not require much knowledge to get immediate and compelling results; but with some extra familiarity, this module can enable innovative music making techniques. Instead of generating musical patterns on its own, IDUM acts like an effects processor for the sequences that run through it. For example, a filter or a delay allows the user to alter their sound by twisting the knobs or modulating the parameters. Similarly, IDUM manipulates the actual gates and sequences of connected modules, but with a level of playability normally inaccessible to a sequencer. IDUM can vary carefully crafted sequences or turn your music into an onslaught of controlled chaos. Its open source code and hardware based on the beginner friendly Arduino Nano Every encourage users to tweak their modules to taste or to add new features all while ensuring future improvements as IDUM makes its way into the wild."

New Auto Fills App by Cem Olcay

video upload by Cem Olcay

Auto Fills jam with Octachron and Hammerhead

video upload by Cem Olcay

"Auto Fills is a random MIDI generator app for creating drum fills.

http://keybudapp.com/autofills

https://apps.apple.com/us/app/auto-fi..."

"Auto Fills is a random MIDI generator app for creating drum fills for your drum synth apps or hardware synthesizers. It works as an Audio Unit AUv3 plugin with the supported host apps such as AUM, Loopy Pro, Logic Pro, Cubasis, Nanostudio, apeMatrix etc.

In Auto Fills, you are working with a drum kit. You can either create the kit by adding drum parts and assigning them MIDI notes/channels yourself, or you can select a kit templete from the settings menu for an app or hardware for quick setup.

- In Kit mode, you can assign a probability value to each drum part.
- In Velocity mode, you can assign a velocity to each drum part, and you can also introduce velocity variety for them.
- In Duration mode, you can set the drum fill length as well as the waiting time before and/or after the drum fill, in beats or bars.
- If you've set "wait before the fill" and/or "wait after the fill" durations in the Duration mode, the drum fill won't be played during the waiting periods.

If you have a favorite drum sequencer, you can route it through the Auto Fills, before the drum app, like
- Drum sequencer -> Auto Fills -> Drum App

CLICK FOR MORE »

ARTURIA Introduces Pigments 5 | Polychrome Software Synthesizer

video uploads by Arturia

"Pigments 5 is the latest edition of Arturia’s flagship modern software synth with the power to create any sound, from the best mix-ready presets to deep custom sound design. The 5th edition brings more ways than ever to design, sculpt, modulate and arpeggiate your sound."

And a video from supporting members, CatSynth and Anton Anru.

Arturia Pigments 5: Demo and tutorial of new features and preset banks

video upload by CatSynth TV

"We explore the new features in version 5 of Arturia's flagship instrument Pigments, along with the newly released Liquid Explorations and Beats Explorations preset packs.

00:00 Introduction
00:27 External Audio Input
03:44 New wavetables
05:30 New Sequencer features (presets, random, lock)
07:02 Liquid Explorations presets
09:54 Beats Explorations presets
12:53 Conclusion"

Arturia Pigments 5: New Atmospheric Presets Demo. No Talking

video upload by Anton Anru

"Arturia have just released the update to one of the most powerful synths - Pigments. Now it's version 5. They added new sequencer and oscillators features, more wavetables and samples, the ability to pass and process external audio, and other improvements.

This is a short video with some of my favorite presets from the new Pigments 5 collection. Get the update and have fun with the new sounds.

📚 Presets for hardware synths: https://antonanru.sellfy.store/"



What’s new in Pigments 5?

A revolution in modern synthesis, Pigments’ approach to sound design is as intricate as it is accessible. Now with more ways than ever to craft those hard-hitting sounds.

CPU Pigments 5

Reduced CPU consumption

Pigments now utilizes multi-core processing for greater CPU efficiency, allowing more users to explore this powerful softsynth with ease.

Process any audio with Pigments

You can now process external audio in Pigments from the Utility engine, by routing the sound to the instrument through the track sidechain input. Additional FX routing options have also been integrated.

Compose in style

Pigment’s refreshed interface includes an improved play view, with new visualisers and other UX enhancements.

Melodize any sound in 1 click

Explore the new generative sequencer, featuring one-click sequence generation and new play modes, as well as saveable presets and sequence browsing. Make use of the sequencer lock to apply your sequence settings to any sound.

New curated content and sounds

Discover a selection of 100 new factory presets alongside new wavetables and samples in Pigments 5, comprising more than 1500 sounds.

New preset expansions

Explore an exclusive selection of sounds with Explorations; 3 new sound banks including 150 presets in each, showcasing a range of bold, colorful and expansive sounds that Pigments is renowned for.

Meet the NI404 Open-Source Sampler and Sequencer from Soundpauli

soundpauli:NI404 video upload by Jank

"The NI404 is an innovative, open-source sampler and sequencer from soundpauli - nspired by the classic Etch-A-Sketch, tailored for beginners and DIY enthusiasts. Designed around the Teensy Microcontroller and Audioboard from PJRC, this device offers an accessible entry point into the world of music creation.

The NI404 is more than just a musical instrument; it's a journey into the world of sound exploration, perfect for live performances, studio sessions, or simply having fun creating music. Whether you're a seasoned musician or a curious beginner, the NI404 is your gateway to an exciting world of musical possibilities."



via https://ni404.tyng.app

THE OPEN SOURCE SAMPLE-SEQUENCER FOR EVERYONE.
The NI404 is an innovative, open-source DIY sample-sequencer from soundpauli - inspired by the classic Etch-A-Sketch, tailored for beginners and DIY enthusiasts. Designed around the Teensy Microcontroller and Audioboard from PJRC, this device offers an accessible entry point into the world of music creation.

The NI404 is more than just a musical instrument; it's a journey into the world of sound exploration, perfect for live performances, studio sessions, or simply having fun creating music. Whether you're a seasoned musician or a curious beginner, the NI404 is your gateway to an exciting world of musical possibilities.

KEY FEATURES

EASY TO USE.
With its playful design, the NI404 lets users create complex sound patterns without any prior knowledge of musical instruments or equipment. It's perfect for beginners and makers alike.

DYNAMIC CONTROL DESPITE
LESS BUTTONS.
At the heart of the NI404 is a vivid 16x16 RGB LED panel display, paired with three intuitive rotary-push encoders. Navigate a cursor across the grid, where each row signifies a voice and each column a potential note, allowing for up to 16 pitches per note. This feature enables the mixing of up to 8 voices simultaneously.

REAL-TIME INTERACTION.
Adjust samples, instruments, pitches, notes, volume, BPM, velocity, and effects in real-time without pausing. This seamless interaction makes the NI404 an ideal gadget for live performances.

CORE COMPONENTS.
Teensy 4.1 Microcontroller and Teensy Audio board (4.0)
8MB PSRAM Flash Memory
3 Rotary-push encoders
16x16 RGB-LED Panel driven by FastLED
3.5mm audio jack and removable SD Microcard slot
CREATIVE FLEXIBILITY.
Etch-A-Sketch style note drawing
On-the-fly note deletion and sample muting
Adjustable volume, BPM (40 - 200), pattern, and note velocity
Up to 30-second sample length with seamless looping
Use your own samples on the SD-Card - in a simple file structure
Load up to 8 voices / samples (Wav format) plus an additional onboard synth voice
16-bar patterns across 8 pages, totaling 128 bars per song
Save and load up to 100 patterns / songs on the SD card
Autosave and autoload functions
SAMPLES AT YOUR FINGERTIPS:
THE BUILT-IN SAMPLE BROWSER.
Access and manage samples while playing, with support for up to 999 samples on the SD card and the ability to predefine multiple voices as a SampleSet.

FULLY INDEPENDENT.
Operates without a computer, generating all sounds on the device itself. USB powered (5V) and Arduino code is published under the MIT License.

Important: The NI404 does not include speakers or Bluetooth connectivity; headphones are recommended. Because of licensing: please use your own sample files (folder structure is included).

READY FOR MORE.
Potential updates include USB-MIDI In & Out, AI-powered song / pattern generation, WiFi connectivity, and a new aluminium casing.

HARDWARE LIST
Custom PCB - to connect the encoders to the Teensy (but you can also hard wire everything): see Downloads

https://ni404.tyng.app

KORG Introduces modules for KORG wavestate, opsix, and modwave!

video upload by Korg

"The popular Korg digital synth family is now available in module form, catering to the needs of musicians and producers in need of these incredible new sound sources but who demand more flexible setup options and do not necessarily need a keyboard.

Can be rack mounted (height 4U) or can be placed on a table at several angles (15 or 45 degrees). Supports MIDI 2.0 Property Exchange as well as AfterTouch."

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KORG Introduces Nu:Tekt NTS-1 mkII digital kit

video upload by Korg

"Experience hands-on, fun music-making with this DIY, easy-to-assemble synthesizer and effects generator. The compact and incredibly powerful NTS-1 mkII now offers an array of new features: refreshed interface, more customization options, new keyboard, built-in sequencer, fresh sounds, expanded MIDI capabilities all in the palm of your hand. (Tool included, no soldering needed)."

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